Yamamoto Sound Craft MGB-50 Magnetic Floating Base

The MGB-50 is large enough to be stored in a rack. This audio board features neodymium magnets located at the bottom four places of the plywood plywood, and combined with the strong African ebony base, the board itself is floating through the magnetic rebound effect.
The MGB-50 isMGB-1It is floating with a magnet equivalent to that of the product, and can be used for relatively heavy products ranging from 5kg to 30kg. It can mainly use power amplifiers, large CD players, analog players, etc.

Improved S/N ratio for clear reproducibility

Compared to the fact that a typical audio board works to dampen vibrations, the magnetic floating base floats audio equipment almost non-contact, preventing vibrations from being transmitted from the floor. It not only eliminates external vibrations, but also resonances of the audio equipment itself and reflective vibrations to the housing. By eliminating noise, the signal-to-noise ratio is improved, the sound field is quieter, and the space is visible, enriched with information and improved localization and resolution. The bass is deep and powerful, and the high range is sharp and stretchy.
In particular, unnecessary swelling in the mid-low range is absorbed, resulting in a uniform response balance, the tone is gentle and not muddy, and the clarity is increased, and the details are clearer.

A mid-sized MGB-50. It's just the right size to fit the company's rack, but I placed it on the top shelf and put an analog player on it. It's impressive how the number of notes increases and the carving becomes deeper. It is clear that the effect of vibration has been eliminated, but the greater part is that the resonance of the player itself has disappeared rather than the vibration from the outside. This theory means that fine signals are not drowned out, resulting in an increase in the amount of information and the sound disappears longer. The low range also extends deeper and the high range also cuts better. It has a wider range of reproduction power. The effect is particularly noticeable for pianos, and the touch skeleton is solid and the sharpness is sharp. Another major difference is that the movement of the weak section is clear. This increases expressiveness and provides a fresh sound.

Similarly, when you put a CD player on it, it is clear that your SN will improve. CDs should not be affected much by external vibrations, so it appears that vibrations and resonance with the ground plane will be strongly influenced by the equipment itself. In particular, the vibrations of the mechanism are easier to escape, which reduces reflections to the state, resulting in reduced noise. The fundamental advantage is that the background noise subsides and the sound field is quieter. The piano improves the ability to grasp the touch, making the strong chords in the bass section clearer. Of course, the delicateness of the weaklings increases, but it is also not to be overlooked that the high-frequency stretch improves. The a cappella is a rich and vivid way of riding. People's voices begin to feel more real. The orchestra's dynamism increases and SN increases, so there is a good outlook for the space. The position and depth of the instrument are clearly defined, and the overall presence seems to increase. The cut is also sharp, and Tutti's explosive power is strong. It is also certain that muddy at high volumes is eliminated and resolution is improved.
 Adding a spike base here increases the energy that makes the bone thicker. The combination is made using point contacts, and although the number of films has increased, the strength at the start is increased, making the music sound even more vivid. The wood-based pizzicato adds thickness and the kick drum sinks without turbidity. The acapella has a longer aftertaste, and it is remarkable that the breathing and expression of the voice are clearer.
*Audio Accessory